Composing music for performances fo the last 6 years or so. Most of the time it's not only music in terms of themes, etc. but the whole sound design: long and short pieces of sound, not all of them "music" per se. After a certain border is crossed, everything goes. Working in different frames and for different goals taught me versatility. Music is often the key to what they don't say with words and the eyes don't see. There, my main role is not just composing aural material but looking for unexpected connections following logic beyond language, searching ways to combine different worlds & cracks where they merge: the role of a mediator. I've been sometimes invited not particularly as a sound designer but as more of an observer of the structure in terms of timing, sequences, measuring emotional impact. It's mostly about emotions, and it's been often about memories, too.

Sometimes a context requires a specific form, an algorithm, tweaking an instrument, designing a certain toolki